Traditionally, de-essing was achieved by accentuating the problem frequency with an equalizer and feeding the EQ output into the sidechain input of a compressor. Using an EQ and a compressor we can treat this problem more effectively than with a standard EQ adjustment. Even then, such cuts could alter the character of your track in an undesirable way. It seems that without a drastic cut within the ranges of 2-10 kHz your perfect take may not end up so perfect after all. Sibilance…Right when you think you may have made the right adjustments on your EQ and set the compressor just so, a sharp, harsh “s” jumps from your speakers.
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